How I work. Three ways to bring me in. Documentary brand stories, athlete and talent films, and director-DP and water unit. The team and the deliverables change with the project. The eye, the standard, and who's running the camera don't.
Make the product feel human.
I bring documentary craft to brands that build things. Real people, real stakes, and the patience to find the moment that makes someone care. I plan it like a commercial so it ships like one: boards in days, one tightly run shoot, and a hero film plus every cut you need. Two minutes to series length.
Brief me →Three hours with your talent. Every format you need.
Big names come with small windows. I've filmed Giannis, Aaron Donald, Kelly Slater and Bethany Hamilton, and the job is always the same: prep so hard that the time on camera goes to real moments, not setup. Hero spot, social cuts and paid versions from one day.
Brief me →Plug me in. Bring the rig.
When you have a director and need a DP who arrives with the gear, or you need a camera where most rigs can't go. I own a RED V-Raptor, a custom water housing that sends a live signal from the ocean to the beach, and a DJI Mavic 4 Pro (Part 107). Main unit, second unit or water unit.
Water cinematography →Brand activations, product launches, B2B and executive interviews, teleprompter, photo and video on the same day, and concept-to-delivery production. The crew scales to the budget.
Brief me →Send me the project, the budget, and the timeline. I'll come back with a production plan that matches the scale of what you're trying to do.
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